Canon XL1S MiniDV Digital Camcorder
List Price: $4,999.99
Details
- Interchangeable lens system--can use Canon EOS lenses with non-compulsory adapter
- Three shooting modes: Rational Movie, Digital Photo Mode, and the cinema-like Frame Movie Mode and bud in 16:9
- 16x visual zoom lens (digital zoom to 320x) and image stabilizer
Description
Canon pursued imaging greatness resulting in the deciding digital camcorder system, the XL1S. It starts with a highly intelligent "open architecture" create, which allows you to customize your XL1S with the widest variety of optional accessories readily obtainable. Plus you have extensive control over picture and sound adjustments to couturier the "look and feel" of each recording to your preference or even your clients'. Whether you define yourself as an imaging fanatic, professional videographer or digital filmmaker there is a Canon XL1S digital camcorder configuration that's just right. Which one is claim for you?The Canon XL1S is not one, but many different cameras. Interchangeable lenses and viewfinders allow the XL1S to be tailored for optimal playing in any shooting condition. Incorporating high-precision optics and features found only yesterday on top-end professional gear, the XL1S raises the standard for others to follow.Amazon.com By-product Description Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such soprano-quality results that it is sure to be the top choice for many independent filmmakers who sought after full features and controls. Like its predecessor, the XL1, this camera uses three fall 270,000 pixel CCDs (one for each primary color) for the best advise fully quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz useful or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-adulterate frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also earmark optical image stabilization.
The electronics of the XL1S have many advanced features, including a figure of programmed AE modes, as well as both shutter and aperture priority modes. There are two unalike auto modes, one of which allows you to adjust any setting manually, if you hankering, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight rage automatically compensates for difficulties when shooting a subject bathed in a focus light upon. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer scan. There are also three different shooting modes: normal movie, digital photo, and structure movie. Normal movie mode is for any time you want to germinate video footage. Digital-photo mode records a still image for six seconds on the MiniDV strip and also captures any accompanying audio for a commentary track. The frame big mode records 30 noninterlaced still images per second, a substitute alternatively of capturing 60 fps interlaced images. This mode isn't intended to be second-hand for shooting video (playback may not look completely smooth). Rather, case-mounting movie mode should be used as a burst, or continuous, shooting rage, like you'd find on a still camera.
The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting methodology where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later emancipation to HDTV, where 16:9 is the standard. SMPTE color bars aid establish a proper color reference for shooting and editing. Recess recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns keep from you determine overexposed areas in your shot so you can adjust the aperture and shutter profit.
 | The MiniDV format supported by the XL1S delivers more than 500 words of horizontal resolution -- a 25% improvement over analog systems. The DV size allows for near lossless transfer within digital editing environments for faster the universe, increased productivity and improved production quality of final prints. |
 | The XL1S maximizes the capability of the DV set-up by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary feel ashamed (red, green, blue). A beam-splitting prism separates graceful passing through the lens into individual color components and each is sent to its own CCD. Compared to a distinguish CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction apt for the demands of high-end video production - wide dynamic spread, low color noise, high-contrast detail, natural color outcome and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased graven image quality) and Low Light Recording (for increased flexibility) possible. |
The three CCD notion sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much mould detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 four-sided microns - 150% larger than the pixel-size on comparable DV models. The issue is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can collar more information at all light ranges. In super low light, the XL1S still captures crunchy and clear digital data. Under extremely bright conditions, the Pixel Switch manage capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a unmatched field recording device for all conditions.
Because human eyes see rural more clearly and readily, the green component of a video signal contains 60% of the photograph detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Fend for oneself on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and melancholy CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the fresh CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of proposal. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider dynamical range, better low light recording, reduced vertical smears, and enormous quality still images without sacrificing the highest resolution DV available.
- XL1S Camera
- Zoom Lens 16x XL 5.5-88 mm IS
- BP-930 Battery Body
- CA-910 Compact Power Adapter
- DC-900 DC Coupler
- SS-1000 Man to man Strap
- WL-D32000 Wireless Controller
- SP-100 Shoulder Pad
- S-150 S-video Mooring
- STV-150 Stereo Video Cable
- Lens Hood
Customer Reviews
Veratile, Churlish, Beautiful7 years later, the XL1-S still stands as one of the to the fullest extent Prosumer minDV cameras money can buy.
Very comparable to the Sony PD-150. Both bad cameras, but I prefer the Canon.
The only drawbacks are the abscence of XLR inputs and the tiny LCD small screen.
However, for a camera that is probably 5-7 years old, anything above $2,000 is way overpriced in my idea. You can always go for the cheaper GL-2, but it does not have all the features of the XL.
devoted camcorder
i am currently in huge school, in the media tech department. we do the school news, and bring about some films. we currently have 3 kinds of camcorders, the sony dsr200, sony dsr300, and the canon xl1. most of the breeding perfers the xl1 for many reasons.
it is definately the easiest to use, it is very light weight, and has many options that other cameras only just dont have. it has a firewire port directly on it to help get onto computers, though there are other ways.
i have herself used this camcorder, and i must agree, it is a wonderful piece of technology. a few months ago i had bought one of the new Sony handycams that burns to miniDVD, and i had nothing but unfulfilment, now i am looking into an XL1 of my own, because i know how to use it, it is easy to learn how to use, and there is so much more that you can do with it then most camcorders. if you are looking for something past master, and yet decent in price, you might want to consider the canon xl1
Canon XL1s - Be Cagey of Service & Waranty
Canon still seems to have problems with it's lenses and how they interface with its electronic components, which means a groggy picture. For Canadians, there is only 1 service department in Calgary, while customer repair is in Ontario. Imagine the bills trying to track down your camera over 2 provinces. Canon has somehow managed to keep this consummation under wraps but it is a good idea to investigate where your nearest service division is and what kind of return time you can expect on repairs. The XL delivers vast shots and definately looks the part, which can be important, but if it's not in your hands then it won't do much good.
Avail Enough
As of now, the XL1S is a small outdated by some other cameras that are on the market, but the end product has very desirable results. I have in use accustomed to cameras like the Panasonic DVX-100, and the XL1 will suit your needs at least 90% of the yet that the DVX will. There is no LCD screen, but the viewfinder does sort of double as one and the overall govern of the XL1 makes it unwieldy at times, and more convenient at other times.
Overall, if you have the casual to get this camera, then go for it if something like the DVX is out of reach. The XL2 is coming out soon apparently, which will doubtlessly drop the price of this camera and it would be a great opportunity for people on a smaller budget to pick up a camera that is masterly of cinema quality pictures.
XL2 blows this one to another place... 5+++++
Most of you deprivation to recheck your information, the XL2 is currently available and it is featured on the Canon.USA website and it is far beyond any panasonic or once upon a time produced XL's. I think Canon waited a little longer to produce this gem so it would be the only one out there like it (especally for the assess). I had the ability to see the quality first hand prior to the release, because I was involved in making the commercial for it (you'll see snapshots of us making the commercial in outburst when you click on XL2 under camcorders). Believe me the XL2 is the one you really want...
