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Canon XL1S MiniDV Digital Camcorder

Details

• Efficient-quality MiniDV camcorder and still camera with 3 CCD lens
• 16x visual zoom lens (digital zoom to 320x) and image stabilizer
• Interchangeable lens system can use Canon EOS lenses with free adapter

Description

Little enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such aged-quality results that it is sure to be the top choice for many independent filmmakers who at once full features and controls. Like its predecessor, the XL1, this camera uses three diverge 270,000 pixel CCDs (one for each primary color) for the best spit quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz investigate or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-composite frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also trait optical image stabilization.

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Amazon.com Outcome Description Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such considerable-quality results that it is sure to be the top choice for many independent filmmakers who outcry full features and controls. Like its predecessor, the XL1, this camera uses three split up 270,000 pixel CCDs (one for each primary color) for the best visualize quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz uninjured or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-alter frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also special attraction optical image stabilization.

The electronics of the XL1S have many advanced features, including a mob of programmed AE modes, as well as both shutter and aperture priority modes. There are two many auto modes, one of which allows you to adjust any setting manually, if you prerequisite, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight methodology automatically compensates for difficulties when shooting a subject bathed in a emphasize. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer cover. There are also three different shooting modes: normal movie, digital photo, and setting movie. Normal movie mode is for any time you want to pump full of lead video footage. Digital-photo mode records a still image for six seconds on the MiniDV strap and also captures any accompanying audio for a commentary track. The frame motion picture mode records 30 noninterlaced still images per second, a substitute alternatively of capturing 60 fps interlaced images. This mode isn't intended to be in use accustomed to for shooting video (playback may not look completely smooth). Rather, give form movie mode should be used as a burst, or continuous, shooting system, like you'd find on a still camera.

The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting procedure where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later recovery to HDTV, where 16:9 is the standard. SMPTE color bars staff establish a proper color reference for shooting and editing. Interlude recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns arrogate you determine overexposed areas in your shot so you can adjust the aperture and shutter give.

The XL1S is a consummate professional creation gismo that supports the established industry standards, MiniDV and IEEE 1394. Underpinning of these standards make the XL1S a flexible video creation tool that interoperates with archetype DV equipment and computer editing systems as accorded by engineering, scientific and disseminate communities.

The MiniDV format supported by the XL1S delivers more than 500 words of horizontal resolution -- a 25% improvement over analog systems. The DV dimensions allows for near lossless transfer within digital editing environments for faster genesis, increased productivity and improved production quality of final prints.

The XL1S comes standard with a DV terminal that conforms to IEEE 1394 for digital give of video and sound, in addition to regular video and audio outputs. The IEEE 1394 (also known as FireWire®) sample allows editing, copying and recording of digital video over a single line. This transfer format affords improved image and sound dignity and is virtually free from generation loss.

The XL1S maximizes the capability of the DV dimensions by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary feel embarrassed (red, green, blue). A beam-splitting prism separates superficial passing through the lens into individual color components and each is sent to its own CCD. Compared to a fasten on CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction acceptable for the demands of high-end video production - wide dynamic go, low color noise, high-contrast detail, natural color persistence and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased embodiment quality) and Low Light Recording (for increased flexibility) possible.

The three CCD idea sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much archetype detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 fair and square microns - 150% larger than the pixel-size on comparable DV models. The outcome is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can arrest more information at all light ranges. In super low light, the XL1S still captures frangible and clear digital data. Under extremely bright conditions, the Pixel Party capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a unparalleled field recording device for all conditions.

Because human eyes see fresh more clearly and readily, the green component of a video signal contains 60% of the draw detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Hours on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and filthy CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the unripened CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of word of honour. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider vital range, better low light recording, reduced vertical smears, and strident quality still images without sacrificing the highest resolution DV available.

The XL1S offers a plethora of means by which to get audio and video in and out of the camcorder. The XL1S is intended to handle two types of analog video input and output: using audio/video cables (composite) or S-video. There are four audio inputs and outputs. All connections are on the camera richness.

• XL1S Camera
• Zoom Lens 16x XL 5.5-88 mm IS
• BP-930 Battery Have had it
• CA-910 Compact Power Adapter
• DC-900 DC Coupler
• SS-1000 Shoulder Strap
• WL-D32000 Wireless Manager
• SP-100 Shoulder Pad
• S-150 S-video Cable
• STV-150 Stereo Video Telegram
• Lens Hood

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Canon XL1 Digital Camcorder Kit

Details

• Pixel-scrape by technology enhances image quality
• Telecast-quality 3 CCD Mini DV camcorder
• Included lens features visual image stabilization

Description

This mini DV offers adept image quality and full digital power. The XL1's design and manual controls make available the widest range of picture possibilities. In daylight or lowlight, if your conquer is near or far, this cutting edge camera adjusts its settings to submit the finest in resolution, magnification and color reproduction. Additional features allow for top grip with recording controls, standard optical 16x zoom lens with SuperRange visual image stabilizer and 3 shooting modes.

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The Canon XL1 is ration to blur the line between consumer and professional video equipment. Though it's close-fisted enough to carry around and doesn't cost much more than a top-of-the-line consumer camcorder, the XL1 produces such rich-quality results that many independent filmmakers have started using it a substitute alternatively of a traditional film camera.

Great movies start with terrific CCD sensors, and Canon cuts no corners here. For the best possible picture dignity, they use three separate 270,000 pixel CCDs (one for each primary color). To further give a new lease of image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This change position allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000 pixel CCDs. Each pixel is 72 satisfying microns, which is about 1.5 times the size as those in competing camcorders. This increased scope increases light sensitivity, allowing you to shoot in lower-go down situations. Ultimately, the larger pixel size results in an upswing of 4 dB in sensitivity.

The XL1's body is based on a magnesium-alloy frame for apogee durability. It ships with a 16x optical zoom lens with optical semblance stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still camera lenses--some of which also hallmark optical image stabilization.

Though the camera's built-in microphone has a famed frequency response, the XL1 can also accept balanced microphones with the optional MA-100 microphone adapter/unashamedly pad. The XL1 records digital audio, with two channels of 16 bit/48 KHz sound or 4 channels of 12 bit/32 KHz canvass.

The electronics of the XL1 have many advanced features, including a number of programmed AE modes, as well as both shutter and crack priority modes. There are two different auto modes, one of which allows you to accustom oneself to any setting manually, if you want, and the other, which adjusts every setting automatically and lets you close nothing. A spotlight mode automatically compensates for difficulties when shooting a point bathed in a spotlight. There are also three different shooting modes: Normal Motion picture, Digital Photo, and Frame Movie. Normal Movie mode is for any period you want to shoot video footage. Digital photo mode records a still embodiment for six seconds on the mini DV tape and also captures any audio, such as a commentary. The Set off Movie Mode records 30 noninterlaced still images per other, instead of capturing 60 fps interlaced images. This mode isn't intended to be familiar for shooting video (playback may not look completely smooth). Rather, Draft Movie mode should be used as a burst, or continuous, shooting trend, like you'd find on a still camera.

The XL1 uses an IEEE 1394 port for digital editing and for transferring footage to and from other IEEE 1394 meeting the requirements devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The XL1 features a LANC mortal for editing with compatible controllers.

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Canon GL2 MiniDV Digital Camcorder w/20x Optical Zoom

Details

• 2.5-inch LCD with 270-limit rotation
• Put away to MiniDV tape or MMC/SD card (8 MB SD card included)
• Recite for up to 65 minutes on one battery charge

Description

The Canon GL2 (like its predecessor, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video paraphernalia. This camcorder borrows most of those cameras' professional-quality components and puts them into a more tight, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-underscore consumer camcorder, the GL2 produces such high-quality results that it could be cast-off as a broadcast video camera.

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The Canon GL2 (like its antecedent, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video appurtenances. This camcorder borrows most of those cameras' professional-quality components and puts them into a more little, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-pencil-mark consumer camcorder, the GL2 produces such high-quality results that it could be employed as a broadcast video camera.

The 3 CCD System
The GL2 maximizes the capability of the DV format by using a 3 CCD (assault-coupled device) system with a separate CCD for each primary color (red, green, dispirited). A beam-splitting prism separates light passing through the lens into one color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves on-going detail with highly accurate color reproduction suitable for the demands of costly-end video production - wide dynamic range, low color hullabaloo, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes liberal Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibleness) possible.

Professional L-Series Fluorite Lens
Canon has satisfied the demands of professional image makers for years through the power, design and quality of 35mm and advertise TV lenses. Canon's Professional L-Series lenses utilize Fluorite, a serious which provides outstanding resolution, contrast, and color reproduction- extraordinarily in lightweight, high-magnification lenses. Incorporated into the lens on the GL2, Fluorite delivers the uttermost in clarity and image quality. The Fluorite element inside the lens defeats feel embarrassed aberration -- the effect when the components of light stray from one another within a lens, causing a reduction in sharpness, dissimilarity and color. The Fluorite lens precisely controls components of be exposed providing an excellent balance of these three critical ingredients of picture grade. This is unobtainable with conventional optical glass.

To further improve image detail, Canon has intentionally shifted the na CCD (which contains 60 percent of the picture detail) half a pixel horizontally and vertically. This switch allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 right-angled microns, which is about 1.5 times the size as those in competing camcorders. This increased vastness increases light sensitivity, allowing you to shoot in low-light situations. All this results in leftover detail, with highly accurate color reproduction suitable for the demands of elevated-end video production. The GL2 also incorporates a 20x Professional L-Series fluorite visual zoom lens, which is equivalent to 39.5-790mm, as well as a 100x digital zoom.

Audio
The GL2's omni-directional microphone is meant to deliver realistic stereo sound. Using the GL2's advanced additional shoe expands your audio options. Audio can be recorded in 16-bit condition on two channels on one track. Alternatively, audio can be record in 12-bit craze, where the audio track is divided into two, and two channels of audio are recorded onto one ground, with the other left over for audio dubbing.

Optical Image Stabilizer
Canon's magnificent optical stabilization system corrects camera shake instantly so even close by held shots, at full telephoto, and shots taken from a moving car, are even and steady. And since it is optical, there is no loss of image quality inevitable with electronic impression stabilizers. It perfectly complements the high picture quality of the DV size.

Digital Stills
You can turn your GL2 into a still camera by switching to 1.7-megapixel photo fad and capturing high-resolution still images onto the camcorder's MultiMedia/Safeguard Digital card. (One 8 MB Secure Digital card is included with the GL2.) The full-frame images are at large from time-lag blur. A six-blade circular iris, as found on Canon's top-of-the-line XL1 and XL1S models, is familiar for professional exposure control, helping to deliver stunning video and still photos.

Inputs and Outputs
The GL2 comes with the guideline DV IEEE 1394 port (also known as FireWire) for a super-permanent ='pretty damned quick', lossless connection to a PC or other DV machines. You can also connect to your PC via a USB connection to download still photos. The GL2 is meant to handle two types of analog input and output: using audio/video cables (composite) or S-video. Both connections are on the camera back.

More Features

• Three shooting modes: well-adjusted movie mode, digital photo mode, and the cinema-like trap movie mode.
• The Custom Key function lets you create and scrape your own custom settings so your common shooting modes can be readily duplicated.
• Digital effects are offered for a greater imaging range, including fader, sepia, strobe motion, and black and Caucasoid.
• With the Interval Timer function, you can record for a selected time with a selected Architecture intercolumniation--convenient for nature observations such as flowers or sunsets.

MiniDV Format
The Canon GL2 digital video camcorder uses the paragon MiniDV cassette, producing the highest quality video possible from nonbroadcast accoutrements. The MiniDV format standard delivers more than 500 lines of horizontal unalterability. And, because it records both video and audio as digital data, this information can be transferred--without any waste of picture or audio quality--to a computer for editing, then transferred back to DV tape, without a reduction in either visualize or audio quality.

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Canon GL1 MiniDV Digital Camcorder with Lens & Optical Image Stabilization

Details

• MiniDV camcorder with 3 CCD technology
• Comes with wireless recondite, battery pack, and power adapter
• 2.5 inch redden LCD and color EVF

Description

Exemplar- GL2 VENDOR- CANON FEATURES- GL2 Digital Camcorder With the GL2, Canon has created a camcorder with a bounteousness of features, each selected to elevate further the standard against which other camcorders are judged. The GL2 is a must-have for theGenerallyperson looking for the very best video-making experience. The GL2'sMost of allexcellence begins with its outstanding Fluorite lens and include

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The Canon GL1 (and its big kinsman, the XL1) are helping to blur the line between consumer and professional video appurtenances. This camcorder borrows most of the professional-quality components from the XL1 and puts them into a more little, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-short-listed for consumer camcorder, the GL1 produces such high-quality results that it could be inured to as a broadcast video camera.

Great movies start with devoted CCD sensors, and Canon cuts no corners here. For the best possible picture grade, they use three separate 270,000-pixel CCDs (one for each primary color). To further reform image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This cadre allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 settled microns, which is about 1.5 times the size as those in competing camcorders. This increased assay increases light sensitivity, allowing you to shoot in lower-brighten situations. Ultimately, the larger pixel size results in an advance of 4 dB loss budget in sensitivity.

For great optical quality, the GL1 uses a regular (nonremovable) 20x optical (100x digital) zoom L-series fluorite lens. The fluorite foundations in the lens increases sharpness and contrast, as well as helping to preserve flush fidelity.

Audio is recorded through the built-in microphone, which features two pairs of pickup elements. Audio can be recorded in 16-bit course on two channels on one track. Alternatively, audio can be record in 12-bit look, where the audio track is divided into two, and two channels of audio are recorded onto one oversee, with the other left over for audio dubbing.

The electronics of the GL1 have many advanced features, including a slues of programmed AE modes, as well as both shutter and aperture priority modes. There are two unalike auto modes, one of which allows you to adjust any setting manually, if you requirement, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight way automatically compensates for lighting difficulties when shooting a subject immersed in a spotlight. Finally, a sand-and-snow mode is designed to mitigate dark, underexposed subjects in situations with bright backgrounds--reciprocally found in sandy and snowy areas. There are also three different shooting modes: routine movie mode, digital photo mode, and frame movie wise. Normal movie mode is for any time you want to shoot video footage. Digital photo procedure records a still image for six seconds on the miniDV tape, and also captures any audio, such as a telling. The frame movie mode records 30 still images per shift, but it isn't intended to be used for shooting video. Rather, frame movie wise should be used as burst or continuous shooting mode, as you'd find on a still camera.

The GL1 uses an IEEE 1394 seaport for digital editing and for transferring footage to and from other IEEE 1394-compliant devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The analog inputs appropriate you to transfer old footage to DV for archiving. Built-in effects include a fader for transitions, embargo and white, slim, stretch, and strobe. Picture adjustment is also plausible; you can adjust camera sharpness, softening or sharpening your subject, as well as the redden tone and how dark or light the camera sets the auto-unmasking level.

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Hands Free Camcorder Shoulder Stabilizer With Carrying Case For The Canon XH-A1, XH-A1S, XH-G1, XL-1S, XL1, XL2, XL-H1, GL2, GL1, XM2, XM1 Mini Dv Camcorders

Details

• Straightforward To Put On, Adjust & Remove Padded Shoulder Rest, Offers Comfort and Stability
• Eliminates Weight & Fatigue <> Light, Compact, Stable & Versatile
• Allows You To Hurl Steady and Professional Videos (camcorder not included)<> Includes DB ROTH Micro Fiber Cloth

Description

This Segment has a adjustable mounting piece which can be used to attach any camcorder with a paragon tripod socket.
Padded supports for your shoulder and abdomen, as well as a assembly strap allow you to distribute the weight of your camcorder evenly throughout your solidity, maximizing comfort
The strap that goes around your body is easy to put on, uncluttered to adjust, and can be removed effortlessly.
not desinged for persons with extra prominently body structure

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Canon XL2 3CCD MiniDV Camcorder w/20x Optical Zoom

Details

• Go red viewfinder, interchangeable with optional professional monochrome viewfinder
• 16:9 widescreen and 4:3 correspondence, 3 selectable frame rates: 60i, 30p, and cinema 24p
• Competent 3CCD DV camcorder with open architecture design for cinema attachments

Description

The Canon XL2 allows you to take images closer to the finished product than ever before. Work that previously was restricted to post-production can be simply and effectively accomplished in the field, in the camcorder.An Free Architecture philosophy, performance found only in much more expensive video cameras, Compute Image Control and the solid foundation of Genuine Canon Optics, interchangeable lens power and superb Canon image processing quality are united in the XL2.

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