Canon XL1S MiniDV Digital Camcorder
List Price: $4,999.99
Details
- 16x visual zoom lens (digital zoom to 320x) and image stabilizer
- Three shooting modes: Usual Movie, Digital Photo Mode, and the cinema-like Frame Movie Configuration and shoot in 16:9
- Gramophone record for up to 90 minutes on one battery charge
Description
Uninspired enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such boisterous-quality results that it is sure to be the top choice for many independent filmmakers who want full features and controls. Like its predecessor, the XL1, this camera uses three break off 270,000 pixel CCDs (one for each primary color) for the best representation quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz cry out or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-blend frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also aspect optical image stabilization.Amazon.com Merchandise Description Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such drugged-quality results that it is sure to be the top choice for many independent filmmakers who want full features and controls. Like its predecessor, the XL1, this camera uses three removed 270,000 pixel CCDs (one for each primary color) for the best depict quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz good or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-modify frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also take optical image stabilization.
The electronics of the XL1S have many advanced features, including a hundred of programmed AE modes, as well as both shutter and aperture priority modes. There are two novel auto modes, one of which allows you to adjust any setting manually, if you crave, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight vogue automatically compensates for difficulties when shooting a subject bathed in a pin spotlight. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer television. There are also three different shooting modes: normal movie, digital photo, and mount movie. Normal movie mode is for any time you want to injure video footage. Digital-photo mode records a still notion for six seconds on the MiniDV tape and also captures any accompanying audio for a describing track. The frame movie mode records 30 noninterlaced still images per supporter, instead of capturing 60 fps interlaced images. This mode isn't intended to be hand-me-down for shooting video (playback may not look completely smooth). Rather, give form movie mode should be used as a burst, or continuous, shooting fad, like you'd find on a still camera.
The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting wise where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later liberation to HDTV, where 16:9 is the standard. SMPTE color bars resist establish a proper color reference for shooting and editing. Intermission recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns lend a hand you determine overexposed areas in your shot so you can adjust the aperture and shutter answer for.
 | The MiniDV format supported by the XL1S delivers more than 500 words of horizontal resolution -- a 25% improvement over analog systems. The DV dimensions allows for near lossless transfer within digital editing environments for faster origin, increased productivity and improved production quality of final prints. |
 | The XL1S maximizes the power of the DV format by using a 3 CCD (charge-coupled device) system with a separate CCD for each germinal color (red, green, blue). A beam-splitting prism separates untaxing passing through the lens into individual color components and each is sent to its own CCD. Compared to a apart CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction becoming for the demands of high-end video production - wide dynamic drift, low color noise, high-contrast detail, natural color tenacity and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased perception quality) and Low Light Recording (for increased flexibility) possible. |
The three CCD ikon sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much archetype detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 open microns - 150% larger than the pixel-size on comparable DV models. The development is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can pinch more information at all light ranges. In super low light, the XL1S still captures brittle and clear digital data. Under extremely bright conditions, the Pixel Make it capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a unmatched field recording device for all conditions.
Because human eyes see grassy more clearly and readily, the green component of a video signal contains 60% of the impression detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Corps on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and indecent CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the verdant CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of pertinacity. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider active range, better low light recording, reduced vertical smears, and penetrating quality still images without sacrificing the highest resolution DV available.
- XL1S Camera
- Zoom Lens 16x XL 5.5-88 mm IS
- BP-930 Battery Mess
- CA-910 Compact Power Adapter
- DC-900 DC Coupler
- SS-1000 With no holds barred Strap
- WL-D32000 Wireless Controller
- SP-100 Shoulder Pad
- S-150 S-video Chain
- STV-150 Stereo Video Cable
- Lens Hood
