List Price:
$4,999.99
Details
- Interchangeable lens system--can use Canon EOS lenses with unrequisite adapter
- 16x visual zoom lens (digital zoom to 320x) and image stabilizer
- Chronicle for up to 90 minutes on one battery charge
Description
Canon pursued imaging greatness resulting in the essential digital camcorder system, the XL1S. It starts with a highly intelligent "open architecture" objective, which allows you to customize your XL1S with the widest variety of optional accessories nearby. Plus you have extensive control over picture and sound adjustments to change the "look and feel" of each recording to your preference or even your clients'. Whether you define yourself as an imaging nut, professional videographer or digital filmmaker there is a Canon XL1S digital camcorder configuration that's just just. Which one is right for you?The Canon XL1S is not one, but many different cameras. Interchangeable lenses and viewfinders approve the XL1S to be tailored for optimal performance in any shooting condition. Incorporating sybaritic-precision optics and features found only previously on top-end professional gear, the XL1S raises the type for others to follow.
Amazon.com Produce Description Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such drugged-quality results that it is sure to be the top choice for many independent filmmakers who command full features and controls. Like its predecessor, the XL1, this camera uses three withdrawn 270,000 pixel CCDs (one for each primary color) for the best display quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz whole or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-temper frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also article optical image stabilization.
The electronics of the XL1S have many advanced features, including a mass of programmed AE modes, as well as both shutter and aperture priority modes. There are two varied auto modes, one of which allows you to adjust any setting manually, if you inadequacy, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight standard operating procedure automatically compensates for difficulties when shooting a subject bathed in a on. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer blind. There are also three different shooting modes: normal movie, digital photo, and erect movie. Normal movie mode is for any time you want to stem video footage. Digital-photo mode records a still image for six seconds on the MiniDV bind and also captures any accompanying audio for a commentary track. The frame silent picture mode records 30 noninterlaced still images per second, preferably of capturing 60 fps interlaced images. This mode isn't intended to be acclimated to for shooting video (playback may not look completely smooth). Rather, framework movie mode should be used as a burst, or continuous, shooting technique, like you'd find on a still camera.
The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting rage where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later exchange to HDTV, where 16:9 is the standard. SMPTE color bars keep from establish a proper color reference for shooting and editing. Rest period recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns pinch you determine overexposed areas in your shot so you can adjust the aperture and shutter narrative.
Digital Video Format and IEEE 1394
The XL1S is a consummate professional creation shape that supports the established industry standards, MiniDV and IEEE 1394. Prop up of these standards make the XL1S a flexible video creation tool that interoperates with pattern DV equipment and computer editing systems as accorded by engineering, scientific and publish communities.
DV Format Technology and Its Advantages
 | The MiniDV format supported by the XL1S delivers more than 500 words of horizontal resolution -- a 25% improvement over analog systems. The DV design allows for near lossless transfer within digital editing environments for faster making, increased productivity and improved production quality of final prints. |
IEEE 1394 (DV Coupling)
The XL1S comes standard with a DV terminal that conforms to IEEE 1394 for digital hand on of video and sound, in addition to regular video and audio outputs. The IEEE 1394 (also known as FireWire®) touchstone allows editing, copying and recording of digital video over a single Mailgram. This transfer format affords improved image and sound distinction and is virtually free from generation loss.
The 3 CCD System
 | The XL1S maximizes the capability of the DV layout by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary flush (red, green, blue). A beam-splitting prism separates spill passing through the lens into individual color components and each is sent to its own CCD. Compared to a set aside CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction meet for the demands of high-end video production - wide dynamic travel over, low color noise, high-contrast detail, natural color solving and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibility) possible. |
The three CCD copy sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much statue detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 settled microns - 150% larger than the pixel-size on comparable DV models. The upshot is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can capture more knowledge at all light ranges. In super low light, the XL1S still captures crisp and limpid digital data. Under extremely bright conditions, the Pixel Shift capabilities of the XL1S greatly reduces vertical ghastly streaks and smears, making it a consummate field recording gadget for all conditions.
Because human eyes see green more clearly and readily, the unripe component of a video signal contains 60% of the picture detail whereas the red and downhearted components together comprise the remaining 40%. With the advanced Pixel Change position on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and low-spirited CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the na CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of stubbornness. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider high-powered range, better low light recording, reduced vertical smears, and squiffed quality still images without sacrificing the highest resolution DV available.
Audio and Video Inputs and Outputs
The XL1S offers a plethora of means by which to get audio and video in and out of the camcorder. The XL1S is meant to handle two types of analog video input and output: using audio/video cables (composite) or S-video. There are four audio inputs and outputs. All connections are on the camera association.
What's in the Box
- XL1S Camera
- Zoom Lens 16x XL 5.5-88 mm IS
- BP-930 Battery Packet
- CA-910 Compact Power Adapter
- DC-900 DC Coupler
- SS-1000 Reject Strap
- WL-D32000 Wireless Controller
- SP-100 Shoulder Pad
- S-150 S-video Chain
- STV-150 Stereo Video Cable
- Lens Hood
Customer Reviews
Veratile, Ragged, Beautiful
7 years later, the XL1-S still stands as one of the wealthiest Prosumer minDV cameras money can buy.
Very comparable to the Sony PD-150. Both zealous cameras, but I prefer the Canon.
The only drawbacks are the abscence of XLR inputs and the tiny LCD colander.
However, for a camera that is probably 5-7 years old, anything above $2,000 is way overpriced in my judgement. You can always go for the cheaper GL-2, but it does not have all the features of the XL.
2007-12-20
(Houston, TX USA) | Helpful Votes: 0 | Rating: 5
fast camcorder
i am currently in loaded school, in the media tech department. we do the school news, and fruit some films. we currently have 3 kinds of camcorders, the sony dsr200, sony dsr300, and the canon xl1. most of the refinement perfers the xl1 for many reasons.
it is definately the easiest to use, it is very light weight, and has many options that other cameras at most dont have. it has a firewire port directly on it to help get onto computers, though there are other ways.
i have in one's own view used this camcorder, and i must agree, it is a wonderful piece of technology. a few months ago i had bought one of the new Sony handycams that burns to miniDVD, and i had nothing but failure, now i am looking into an XL1 of my own, because i know how to use it, it is easy to learn how to use, and there is so much more that you can do with it then most camcorders. if you are looking for something seasoned, and yet decent in price, you might want to consider the canon xl1
2004-12-16
(Texas) | Helpful Votes: 15 | Rating: 4
Canon XL1s - Be Leery of of Service & Waranty
Canon still seems to have problems with it's lenses and how they interface with its electronic components, which means a fuzzy picture. For Canadians, there is only 1 service department in Calgary, while customer serve is in Ontario. Imagine the bills trying to track down your camera over 2 provinces. Canon has somehow managed to keep this outcome under wraps but it is a good idea to investigate where your nearest service subdivision is and what kind of return time you can expect on repairs. The XL delivers exalted shots and definately looks the part, which can be important, but if it's not in your hands then it won't do much good.
2004-11-02
| Walking Man (Vancouver BC) | Helpful Votes: 10 | Rating: 3
Orderly Enough
As of now, the XL1S is a tiny outdated by some other cameras that are on the market, but the end product has very desirable results. I have old cameras like the Panasonic DVX-100, and the XL1 will suit your needs at least 90% of the epoch that the DVX will. There is no LCD screen, but the viewfinder does sort of double as one and the overall profile of the XL1 makes it unwieldy at times, and more convenient at other times.
Overall, if you have the take place to get this camera, then go for it if something like the DVX is out of reach. The XL2 is coming out soon apparently, which will quite drop the price of this camera and it would be a great opportunity for people on a smaller budget to pick up a camera that is inclined to of cinema quality pictures.
2004-08-10
| -Producer, CPP (Brick, NJ USA) | Helpful Votes: 13 | Rating: 4
XL2 blows this one somewhere else... 5+++++
Most of you stress to recheck your information, the XL2 is currently available and it is featured on the Canon.USA website and it is far beyond any panasonic or at one time produced XL's. I think Canon waited a little longer to produce this gem so it would be the only one out there like it (especally for the honorarium). I had the ability to see the quality first hand prior to the release, because I was involved in making the commercial for it (you'll see snapshots of us making the commercial in showy when you click on XL2 under camcorders). Believe me the XL2 is the one you really want...
2004-07-25
(NY / NJ) | Helpful Votes: 8 | Rating: 3
