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Canon XL1 Digital Camcorder Kit

Details

• Advertise-quality 3 CCD Mini DV camcorder
• Pixel-transfer technology enhances image quality
• Included lens features visual image stabilization

Description

This mini DV offers titanic image quality and full digital power. The XL1's design and manual controls offering the widest range of picture possibilities. In daylight or lowlight, if your angle is near or far, this cutting edge camera adjusts its settings to submit the finest in resolution, magnification and color reproduction. Additional features involve top grip with recording controls, standard optical 16x zoom lens with SuperRange visual image stabilizer and 3 shooting modes.

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The Canon XL1 is dollop to blur the line between consumer and professional video equipment. Though it's measly enough to carry around and doesn't cost much more than a top-of-the-line consumer camcorder, the XL1 produces such acute-quality results that many independent filmmakers have started using it as contrasted with of a traditional film camera.

Great movies start with skilled CCD sensors, and Canon cuts no corners here. For the best possible picture grade, they use three separate 270,000 pixel CCDs (one for each primary color). To further update image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This move allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000 pixel CCDs. Each pixel is 72 just microns, which is about 1.5 times the size as those in competing camcorders. This increased area increases light sensitivity, allowing you to shoot in lower-well-illuminated situations. Ultimately, the larger pixel size results in an rehabilitation of 4 dB in sensitivity.

The XL1's body is based on a magnesium-alloy frame for zenith durability. It ships with a 16x optical zoom lens with optical epitome stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still camera lenses--some of which also perform optical image stabilization.

Though the camera's built-in microphone has a top frequency response, the XL1 can also accept balanced microphones with the optional MA-100 microphone adapter/apply oneself pad. The XL1 records digital audio, with two channels of 16 bit/48 KHz sound or 4 channels of 12 bit/32 KHz complain.

The electronics of the XL1 have many advanced features, including a number of programmed AE modes, as well as both shutter and chasm priority modes. There are two different auto modes, one of which allows you to mediate any setting manually, if you want, and the other, which adjusts every setting automatically and lets you resolve nothing. A spotlight mode automatically compensates for difficulties when shooting a responsible for bathed in a spotlight. There are also three different shooting modes: Normal Flick picture show, Digital Photo, and Frame Movie. Normal Movie mode is for any in the good old days b simultaneously you want to shoot video footage. Digital photo mode records a still effigy for six seconds on the mini DV tape and also captures any audio, such as a commentary. The Setting Movie Mode records 30 noninterlaced still images per surrogate, instead of capturing 60 fps interlaced images. This mode isn't intended to be Euphemistic pre-owned for shooting video (playback may not look completely smooth). Rather, Shell Movie mode should be used as a burst, or continuous, shooting fashion, like you'd find on a still camera.

The XL1 uses an IEEE 1394 port for digital editing and for transferring footage to and from other IEEE 1394 in compliance devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The XL1 features a LANC screen for editing with compatible controllers.

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Canon XL1S MiniDV Digital Camcorder

Details

• 16x visual zoom lens (digital zoom to 320x) and image stabilizer
• Three shooting modes: Conventional Movie, Digital Photo Mode, and the cinema-like Frame Movie Mode and fling in 16:9
• Interchangeable lens system can use Canon EOS lenses with uncoerced adapter

Description

Under age enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such pongy chief-quality results that it is sure to be the top choice for many independent filmmakers who request full features and controls. Like its predecessor, the XL1, this camera uses three divide up 270,000 pixel CCDs (one for each primary color) for the best show quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz vigorous or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-impair frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also chips optical image stabilization.

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Amazon.com Issue Description Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such elaborate-quality results that it is sure to be the top choice for many independent filmmakers who ask for full features and controls. Like its predecessor, the XL1, this camera uses three closed off 270,000 pixel CCDs (one for each primary color) for the best illustrate quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz enquire of or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-temper frame for maximum durability. It ships with a 16x optical zoom lens with visual image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also item face optical image stabilization.

The electronics of the XL1S have many advanced features, including a copy of programmed AE modes, as well as both shutter and aperture priority modes. There are two extraordinary auto modes, one of which allows you to adjust any setting manually, if you after, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight methodology automatically compensates for difficulties when shooting a subject bathed in a spotlight. The computer-shooting style gets rid of monitor flicker that happens when shooting a computer screen. There are also three odd shooting modes: normal movie, digital photo, and frame moving picture. Normal movie mode is for any time you want to shoot video footage. Digital-photo trend records a still image for six seconds on the MiniDV tape and also captures any accompanying audio for a recounting track. The frame movie mode records 30 noninterlaced still images per girl Friday, instead of capturing 60 fps interlaced images. This mode isn't intended to be worn for shooting video (playback may not look completely smooth). Rather, box in movie mode should be used as a burst, or continuous, shooting standard operating procedure, like you'd find on a still camera.

The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting form where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later salvation to HDTV, where 16:9 is the standard. SMPTE color bars stop establish a proper color reference for shooting and editing. Intermission recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns succour you determine overexposed areas in your shot so you can adjust the aperture and shutter in conformity with.

The XL1S is a consummate professional creation sucker that supports the established industry standards, MiniDV and IEEE 1394. Bear out of these standards make the XL1S a flexible video creation tool that interoperates with yardstick DV equipment and computer editing systems as accorded by engineering, scientific and broadcast communities.

The MiniDV format supported by the XL1S delivers more than 500 words of horizontal resolution -- a 25% improvement over analog systems. The DV set-up allows for near lossless transfer within digital editing environments for faster inception, increased productivity and improved production quality of final prints.

The XL1S comes standard with a DV terminal that conforms to IEEE 1394 for digital convey of video and sound, in addition to regular video and audio outputs. The IEEE 1394 (also known as FireWire®) gauge allows editing, copying and recording of digital video over a single chain. This transfer format affords improved image and sound mark and is virtually free from generation loss.

The XL1S maximizes the capability of the DV looks by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary redden (red, green, blue). A beam-splitting prism separates light-bulb passing through the lens into individual color components and each is sent to its own CCD. Compared to a distinct CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction apt for the demands of high-end video production - wide dynamic file, low color noise, high-contrast detail, natural color stick-to-it-iveness and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased epitome quality) and Low Light Recording (for increased flexibility) possible.

The three CCD perception sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much spit detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 straight microns - 150% larger than the pixel-size on comparable DV models. The issue is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can apprehend more information at all light ranges. In super low light, the XL1S still captures breakable and clear digital data. Under extremely bright conditions, the Pixel Party capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a incomparable field recording device for all conditions.

Because human eyes see rural more clearly and readily, the green component of a video signal contains 60% of the look-alike detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Smock on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and dismal CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the grassy CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of exactitude. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider potent range, better low light recording, reduced vertical smears, and turned on quality still images without sacrificing the highest resolution DV available.

The XL1S offers a plethora of means by which to get audio and video in and out of the camcorder. The XL1S is intended to handle two types of analog video input and output: using audio/video cables (composite) or S-video. There are four audio inputs and outputs. All connections are on the camera viscosity.

• XL1S Camera
• Zoom Lens 16x XL 5.5-88 mm IS
• BP-930 Battery Order off
• CA-910 Compact Power Adapter
• DC-900 DC Coupler
• SS-1000 Shove Strap
• WL-D32000 Wireless Controller
• SP-100 Shoulder Pad
• S-150 S-video Line
• STV-150 Stereo Video Cable
• Lens Hood

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12Hr battery for canon XL1 XL1S XL2 GL1 GL2 10Li BP-945

Details

• Dimension: 2.75"x2.25"x1.5"
• Voltage: 7.2V.Feel ashamed: black.Weight: 10.5 oz.
• Outwit replacement for the original BP-945 and BP-941 battery pack.

Description

In agreement With Canon: Analog 8mm Camcorder ES300V / ES4000 / ES410V / ES420V / ES50 / ES55 / ES60 / ES65 / ES6500V / ES7000V / ES75 / ES8000V / ES8100V / ES8200V / ES8400V / ES8600; GL GL1 / GL2; Rich Definition Camcorders (Professional) XH A1 / XH G1 / XL1 / XL1S / XL2; Ultura / Vistura

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Digital Video .5x 72mm Wide Angle Lens for Canon XL1H XL2 XL1s XL1

Description

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Canon GL1 MiniDV Digital Camcorder with Lens & Optical Image Stabilization

Details

• Records digital stills onto MiniDV tape-record
• 20x visual, 100x digital, zoom with optical image stabilization
• 2.5 inch redden LCD and color EVF

Description

Working model- GL2 VENDOR- CANON FEATURES- GL2 Digital Camcorder With the GL2, Canon has created a camcorder with a opulence of features, each selected to elevate further the standard against which other camcorders are judged. The GL2 is a must-have for theIn the mainperson looking for the very best video-making experience. The GL2'sPredominantlyexcellence begins with its outstanding Fluorite lens and include

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The Canon GL1 (and its big fellow-clansman, the XL1) are helping to blur the line between consumer and professional video furnishings. This camcorder borrows most of the professional-quality components from the XL1 and puts them into a more succinct, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-specialty consumer camcorder, the GL1 produces such high-quality results that it could be toughened as a broadcast video camera.

Great movies start with exalted CCD sensors, and Canon cuts no corners here. For the best possible picture standing, they use three separate 270,000-pixel CCDs (one for each primary color). To further renovate image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This chemise allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 even microns, which is about 1.5 times the size as those in competing camcorders. This increased square footage increases light sensitivity, allowing you to shoot in lower-moonlight situations. Ultimately, the larger pixel size results in an upgrading of 4 dB loss budget in sensitivity.

For great optical quality, the GL1 uses a stubborn (nonremovable) 20x optical (100x digital) zoom L-series fluorite lens. The fluorite fundamental in the lens increases sharpness and contrast, as well as helping to preserve redden fidelity.

Audio is recorded through the built-in microphone, which features two pairs of pickup elements. Audio can be recorded in 16-bit wise on two channels on one track. Alternatively, audio can be record in 12-bit fashion, where the audio track is divided into two, and two channels of audio are recorded onto one on, with the other left over for audio dubbing.

The electronics of the GL1 have many advanced features, including a horde of programmed AE modes, as well as both shutter and aperture priority modes. There are two several auto modes, one of which allows you to adjust any setting manually, if you crave, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight style automatically compensates for lighting difficulties when shooting a subject covered in a spotlight. Finally, a sand-and-snow mode is designed to intercept dark, underexposed subjects in situations with bright backgrounds--equally found in sandy and snowy areas. There are also three different shooting modes: common movie mode, digital photo mode, and frame movie state. Normal movie mode is for any time you want to shoot video footage. Digital photo system records a still image for six seconds on the miniDV tape, and also captures any audio, such as a describing. The frame movie mode records 30 still images per younger, but it isn't intended to be used for shooting video. Rather, frame movie manner should be used as burst or continuous shooting mode, as you'd find on a still camera.

The GL1 uses an IEEE 1394 haven for digital editing and for transferring footage to and from other IEEE 1394-compliant devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The analog inputs appropriate you to transfer old footage to DV for archiving. Built-in effects include a fader for transitions, hellish and white, slim, stretch, and strobe. Picture adjustment is also practicable; you can adjust camera sharpness, softening or sharpening your subject, as well as the feel embarrassed tone and how dark or light the camera sets the auto-baring level.

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Canon GL2 MiniDV Digital Camcorder w/20x Optical Zoom

Details

• A bar-splitting prism separates light passing through the lens into individual color components and each is sent to its own CCD.
• Record for up to 65 minutes on one battery-operated charge
• 20x visual zoom lens (digital zoom to 100x) and image stabilizer

Description

The Canon GL2 (like its predecessor, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video mat. This camcorder borrows most of those cameras' professional-quality components and puts them into a more close, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-direction consumer camcorder, the GL2 produces such high-quality results that it could be old as a broadcast video camera.

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The Canon GL2 (like its forebear, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video gear. This camcorder borrows most of those cameras' professional-quality components and puts them into a more solid, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-pencil-mark consumer camcorder, the GL2 produces such high-quality results that it could be old as a broadcast video camera.

The 3 CCD System
The GL2 maximizes the capability of the DV format by using a 3 CCD (exhortation-coupled device) system with a separate CCD for each primary color (red, green, glum). A beam-splitting prism separates light passing through the lens into individualistic color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves noted detail with highly accurate color reproduction suitable for the demands of favourable-end video production - wide dynamic range, low color bruit about, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes futuristic Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibleness) possible.

Professional L-Series Fluorite Lens
Canon has satisfied the demands of battle-scarred image makers for years through the power, design and quality of 35mm and proclaim TV lenses. Canon's Professional L-Series lenses utilize Fluorite, a consequential which provides outstanding resolution, contrast, and color reproduction- principally in lightweight, high-magnification lenses. Incorporated into the lens on the GL2, Fluorite delivers the supreme in clarity and image quality. The Fluorite element inside the lens defeats feel ashamed aberration -- the effect when the components of light stray from one another within a lens, causing a reduction in sharpness, compare and color. The Fluorite lens precisely controls components of clobber chance providing an excellent balance of these three critical ingredients of picture property. This is unobtainable with conventional optical glass.

To further improve image detail, Canon has intentionally shifted the verdant CCD (which contains 60 percent of the picture detail) half a pixel horizontally and vertically. This gang allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 even microns, which is about 1.5 times the size as those in competing camcorders. This increased weight increases light sensitivity, allowing you to shoot in low-light situations. All this results in conspicuous detail, with highly accurate color reproduction suitable for the demands of loaded-end video production. The GL2 also incorporates a 20x Professional L-Series fluorite visual zoom lens, which is equivalent to 39.5-790mm, as well as a 100x digital zoom.

Audio
The GL2's omni-directional microphone is expected to deliver realistic stereo sound. Using the GL2's advanced additional shoe expands your audio options. Audio can be recorded in 16-bit method on two channels on one track. Alternatively, audio can be record in 12-bit craze, where the audio track is divided into two, and two channels of audio are recorded onto one ferret out, with the other left over for audio dubbing.

Optical Image Stabilizer
Canon's marvellous optical stabilization system corrects camera shake instantly so even disseminate held shots, at full telephoto, and shots taken from a moving car, are uniform and steady. And since it is optical, there is no loss of image quality inevitable with electronic icon stabilizers. It perfectly complements the high picture quality of the DV plan.

Digital Stills
You can turn your GL2 into a still camera by switching to 1.7-megapixel photo form and capturing high-resolution still images onto the camcorder's MultiMedia/Unquestionable Digital card. (One 8 MB Secure Digital card is included with the GL2.) The full-frame images are above-board from time-lag blur. A six-blade circular iris, as found on Canon's top-of-the-line XL1 and XL1S models, is utilized for professional exposure control, helping to deliver stunning video and still photos.

Inputs and Outputs
The GL2 comes with the guideline DV IEEE 1394 port (also known as FireWire) for a super-firm, lossless connection to a PC or other DV machines. You can also connect to your PC via a USB connection to download still photos. The GL2 is expected to handle two types of analog input and output: using audio/video cables (composite) or S-video. Both connections are on the camera back.

More Features

• Three shooting modes: rational movie mode, digital photo mode, and the cinema-like system movie mode.
• The Custom Key function lets you create and guard your own custom settings so your common shooting modes can be readily duplicated.
• Digital effects are offered for a greater imaging selection, including fader, sepia, strobe motion, and black and ghostly.
• With the Interval Timer function, you can record for a selected time with a selected space--convenient for nature observations such as flowers or sunsets.

MiniDV Shape
The Canon GL2 digital video camcorder uses the standard MiniDV cassette, producing the highest superiority video possible from nonbroadcast equipment. The MiniDV format measure delivers more than 500 lines of horizontal resolution. And, because it records both video and audio as digital information, this information can be transferred--without any loss of picture or audio quality--to a computer for editing, then transferred back to DV strap, without a reduction in either picture or audio quality.

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