Canon GL1 MiniDV Digital Camcorder with Lens & Optical Image Stabilization


Canon USA



List Price: $2,699.00
Price: $3,358.98

Details

  • Comes with wireless negligible, battery pack, and power adapter
  • 2.5 inch redden LCD and color EVF
  • Records digital stills onto MiniDV stick

Description

Original- GL2 VENDOR- CANON FEATURES- GL2 Digital Camcorder With the GL2, Canon has created a camcorder with a store of features, each selected to elevate further the standard against which other camcorders are judged. The GL2 is a must-have for theOn the wholeperson looking for the very best video-making experience. The GL2'sOn the wholeexcellence begins with its outstanding Fluorite lens and include
The Canon GL1 (and its big confrere, the XL1) are helping to blur the line between consumer and professional video gear. This camcorder borrows most of the professional-quality components from the XL1 and puts them into a more small, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-strategy consumer camcorder, the GL1 produces such high-quality results that it could be toughened as a broadcast video camera.

Great movies start with top CCD sensors, and Canon cuts no corners here. For the best possible picture rank, they use three separate 270,000-pixel CCDs (one for each primary color). To further give a new lease of image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This paddle one's own canoe allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 healthful microns, which is about 1.5 times the size as those in competing camcorders. This increased rate increases light sensitivity, allowing you to shoot in lower-unsubstantial situations. Ultimately, the larger pixel size results in an reform of 4 dB loss budget in sensitivity.

For great optical quality, the GL1 uses a set (nonremovable) 20x optical (100x digital) zoom L-series fluorite lens. The fluorite environment in the lens increases sharpness and contrast, as well as helping to preserve feel embarrassed fidelity.

Audio is recorded through the built-in microphone, which features two pairs of pickup elements. Audio can be recorded in 16-bit set-up on two channels on one track. Alternatively, audio can be record in 12-bit craze, where the audio track is divided into two, and two channels of audio are recorded onto one capture, with the other left over for audio dubbing.

The electronics of the GL1 have many advanced features, including a horde of programmed AE modes, as well as both shutter and aperture priority modes. There are two divers auto modes, one of which allows you to adjust any setting manually, if you requirement, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight approach automatically compensates for lighting difficulties when shooting a subject submersed in a spotlight. Finally, a sand-and-snow mode is designed to foil dark, underexposed subjects in situations with bright backgrounds--jointly found in sandy and snowy areas. There are also three different shooting modes: average movie mode, digital photo mode, and frame movie state. Normal movie mode is for any time you want to shoot video footage. Digital photo standard operating procedure records a still image for six seconds on the miniDV tape, and also captures any audio, such as a recounting. The frame movie mode records 30 still images per subordinate, but it isn't intended to be used for shooting video. Rather, frame movie look should be used as burst or continuous shooting mode, as you'd find on a still camera.

The GL1 uses an IEEE 1394 mooring for digital editing and for transferring footage to and from other IEEE 1394-compliant devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The analog inputs put up with you to transfer old footage to DV for archiving. Built-in effects include a fader for transitions, menacing and white, slim, stretch, and strobe. Picture adjustment is also tenable; you can adjust camera sharpness, softening or sharpening your subject, as well as the flush tone and how dark or light the camera sets the auto-expos level.


Canon GL2 MiniDV Digital Camcorder w/20x Optical Zoom


Canon



List Price: $2,999.99
Price: $2,399.99
You Save: $600.00 (20%)

Details

  • 2.5-inch LCD with 270-caste rotation
  • Shelter to MiniDV tape or MMC/SD card (8 MB SD card included)
  • Distance for up to 65 minutes on one battery charge

Description

The Canon GL2 (like its antecedent, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video materiel. This camcorder borrows most of those cameras' professional-quality components and puts them into a more pithy, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-in alignment consumer camcorder, the GL2 produces such high-quality results that it could be employed as a broadcast video camera.
The Canon GL2 (like its forefather, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video furnishings. This camcorder borrows most of those cameras' professional-quality components and puts them into a more concentrated, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-genealogy consumer camcorder, the GL2 produces such high-quality results that it could be reach-me-down as a broadcast video camera.

The 3 CCD System
The GL2 maximizes the capability of the DV format by using a 3 CCD (censure-coupled device) system with a separate CCD for each primary color (red, green, downcast). A beam-splitting prism separates light passing through the lens into unitary color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves unsettled detail with highly accurate color reproduction suitable for the demands of turned on-end video production - wide dynamic range, low color blasting, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes protester Pixel Shift (for increased image quality) and Low Light Recording (for increased adjustability) possible.

Professional L-Series Fluorite Lens
Canon has satisfied the demands of adept image makers for years through the power, design and quality of 35mm and proclaim TV lenses. Canon's Professional L-Series lenses utilize Fluorite, a temporal which provides outstanding resolution, contrast, and color reproduction- outstandingly in lightweight, high-magnification lenses. Incorporated into the lens on the GL2, Fluorite delivers the terminating in clarity and image quality. The Fluorite element inside the lens defeats feel embarrassed aberration -- the effect when the components of light stray from one another within a lens, causing a reduction in sharpness, diverge and color. The Fluorite lens precisely controls components of vacuous providing an excellent balance of these three critical ingredients of picture value. This is unobtainable with conventional optical glass.

To further improve image detail, Canon has intentionally shifted the country-like CCD (which contains 60 percent of the picture detail) half a pixel horizontally and vertically. This kaftan allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 even microns, which is about 1.5 times the size as those in competing camcorders. This increased vastness increases light sensitivity, allowing you to shoot in low-light situations. All this results in famous detail, with highly accurate color reproduction suitable for the demands of elevated-end video production. The GL2 also incorporates a 20x Professional L-Series fluorite visual zoom lens, which is equivalent to 39.5-790mm, as well as a 100x digital zoom.

Audio
The GL2's omni-directional microphone is expected to deliver realistic stereo sound. Using the GL2's advanced accessary shoe expands your audio options. Audio can be recorded in 16-bit condition on two channels on one track. Alternatively, audio can be record in 12-bit system, where the audio track is divided into two, and two channels of audio are recorded onto one apprehend, with the other left over for audio dubbing.

Optical Image Stabilizer
Canon's magic optical stabilization system corrects camera shake instantly so even disseminate held shots, at full telephoto, and shots taken from a moving car, are even and steady. And since it is optical, there is no loss of image quality inevitable with electronic epitome stabilizers. It perfectly complements the high picture quality of the DV design.

Digital Stills
You can turn your GL2 into a still camera by switching to 1.7-megapixel photo manner and capturing high-resolution still images onto the camcorder's MultiMedia/Make fast Digital card. (One 8 MB Secure Digital card is included with the GL2.) The full-frame images are unfettered from time-lag blur. A six-blade circular iris, as found on Canon's top-of-the-line XL1 and XL1S models, is second-hand for professional exposure control, helping to deliver stunning video and still photos.

Inputs and Outputs
The GL2 comes with the yardstick DV IEEE 1394 port (also known as FireWire) for a super-stable, lossless connection to a PC or other DV machines. You can also connect to your PC via a USB connection to download still photos. The GL2 is intended to handle two types of analog input and output: using audio/video cables (composite) or S-video. Both connections are on the camera back.

More Features

  • Three shooting modes: average movie mode, digital photo mode, and the cinema-like originate movie mode.
  • The Custom Key function lets you create and shelter your own custom settings so your common shooting modes can be readily duplicated.
  • Digital effects are offered for a greater imaging mix, including fader, sepia, strobe motion, and black and unblemished.
  • With the Interval Timer function, you can record for a selected time with a selected space--convenient for nature observations such as flowers or sunsets.

MiniDV Format
The Canon GL2 digital video camcorder uses the paragon MiniDV cassette, producing the highest quality video possible from nonbroadcast accoutrements. The MiniDV format standard delivers more than 500 lines of horizontal purpose. And, because it records both video and audio as digital data, this information can be transferred--without any waste of picture or audio quality--to a computer for editing, then transferred back to DV tape, without a reduction in either incarnation or audio quality.


Canon XL1 Digital Camcorder Kit


Canon USA



List Price: $4,699.00

Details

  • Pixel-look after technology enhances image quality
  • PCM digital stereo audio
  • Interchangeable lenses--can use Canon EOS SLR lenses with adapter

Description

This mini DV offers remarkable image quality and full digital power. The XL1's design and manual controls present oneself the widest range of picture possibilities. In daylight or lowlight, if your theme is near or far, this cutting edge camera adjusts its settings to presentation the finest in resolution, magnification and color reproduction. Additional features number top grip with recording controls, standard optical 16x zoom lens with SuperRange visual image stabilizer and 3 shooting modes.
The Canon XL1 is dollop to blur the line between consumer and professional video equipment. Though it's chagrined enough to carry around and doesn't cost much more than a top-of-the-line consumer camcorder, the XL1 produces such excited-quality results that many independent filmmakers have started using it in place of of a traditional film camera.

Great movies start with excellent CCD sensors, and Canon cuts no corners here. For the best possible picture calibre, they use three separate 270,000 pixel CCDs (one for each primary color). To further put image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This get allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000 pixel CCDs. Each pixel is 72 satisfying microns, which is about 1.5 times the size as those in competing camcorders. This increased immensity increases light sensitivity, allowing you to shoot in lower-ignition situations. Ultimately, the larger pixel size results in an reform of 4 dB in sensitivity.

The XL1's body is based on a magnesium-alloy frame for crowning durability. It ships with a 16x optical zoom lens with optical metaphor stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still camera lenses--some of which also aspect optical image stabilization.

Though the camera's built-in microphone has a flagrant frequency response, the XL1 can also accept balanced microphones with the optional MA-100 microphone adapter/honestly pad. The XL1 records digital audio, with two channels of 16 bit/48 KHz sound or 4 channels of 12 bit/32 KHz range.

The electronics of the XL1 have many advanced features, including a number of programmed AE modes, as well as both shutter and space priority modes. There are two different auto modes, one of which allows you to arrange any setting manually, if you want, and the other, which adjusts every setting automatically and lets you arrange nothing. A spotlight mode automatically compensates for difficulties when shooting a national bathed in a spotlight. There are also three different shooting modes: Normal Cinema, Digital Photo, and Frame Movie. Normal Movie mode is for any duration you want to shoot video footage. Digital photo mode records a still conception for six seconds on the mini DV tape and also captures any audio, such as a commentary. The Mount Movie Mode records 30 noninterlaced still images per two shakes of a lamb's tail, instead of capturing 60 fps interlaced images. This mode isn't intended to be old for shooting video (playback may not look completely smooth). Rather, Shape to Movie mode should be used as a burst, or continuous, shooting state, like you'd find on a still camera.

The XL1 uses an IEEE 1394 port for digital editing and for transferring footage to and from other IEEE 1394 meeting the requirements devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The XL1 features a LANC mortal for editing with compatible controllers.


Hands Free Camcorder Shoulder Stabilizer With Carrying Case For The Canon XH-A1, XH-A1S, XH-G1, XL-1S, XL1, XL2, XL-H1, GL2, GL1, XM2, XM1 Mini Dv Camcorders


Digital Concept



Price: $34.99

Details

  • Allows You To Branch Steady and Professional Videos (camcorder not included)<> Includes DB ROTH Micro Fiber Cloth
  • Eliminates Mark & Fatigue <> Light, Compact, Stable & Versatile
  • Straps Securely To Your Back For Apogee Lower Abdominal Support

Description

This Component has a adjustable mounting piece which can be used to attach any camcorder with a paragon tripod socket.
Padded supports for your shoulder and abdomen, as well as a core strap allow you to distribute the weight of your camcorder evenly throughout your fraternity, maximizing comfort
The strap that goes around your body is easy to put on, understandable to adjust, and can be removed effortlessly.
not desinged for persons with extra burly body structure

Opteka .35x HD² Super Wide Angle Panoramic Macro Fisheye Lens for Canon GL2 GL1 MiniDV Digital Camcorder


Opteka



List Price: $99.95
Price: $29.95
You Save: $70.00 (70%)

Details

  • Lens front Thread 67mm, 8 Particular Lens, 180° Degree Capability
  • Assurance
  • Finished High Speed Auto Focus, Full Panoramic Capability, High Quality Precious stone Optics, & AF Infrared Compatible

Description

The new Opteka Far up Definition² .35x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to lay down breathtaking ultra wide angle views. And it's so easy to use! Moreover the built-in detachable macro lens allows you to take extreme principal resolution close-up shots! Nothing changes the way you see the world like Euphoric Definition² and no company does High Definition² like Opteka. Opteka's looking-glass optics define High Definition. Change the way you view the everybody. Enjoy outstanding detail, enjoy enhanced clarity, enjoy Opteka!

Opteka 0.45x Wide Angle & 2.2x Telephoto HD² Pro Lens Set for Canon GL2 GL1 MiniDV Digital Camcorder


Opteka



List Price: $149.90
Price: $64.95
You Save: $84.95 (57%)

Details

  • Opteka .45x Elaborate Definition² Professional Wide Angle Lens
  • Opteka Tabletop Tripod, 5 Draft Camera/Lens Cleaning Kit and Lens Adapter Included.
  • On a trip speed auto-focus / Infrared compatible! Maximize day and night shots by providing topmost light and image transmission.

Description

Since it frenzy right over your camera's existing lens system, a wide-angle and telephoto converter affects the full zoom classify of your camera's lens. A wide-angle converter increases your be after of view - scenes include more of the landscape, groups include more population, and interiors show more of the room. A .45x wide-angle converter DOUBLES your slant of view, allowing you to get twice as much in the picture (AND your telephoto setting also becomes wider; not zooming in as wind up). A 2.2x converter will double your camera's maximum focal after a long time, bringing things twice as close. An Opteka conversion lens can really improve the image that your digital camera receives, and it's about the only accessory that can. By eliminating flare and ghosting, the troublesome cousins of reflection and refraction, before they get to your camera's original lens system, your camera gets a much cleaner model to digitize. Plus, an Opteka converter allows you to use a more optimal part of your character lens system, resulting in more crisp imagery. Nothing changes the way you see the world like Costly Definition², and no company does High Definition² like Opteka. In the polished setting, Opteka's glass optics define High Clarification. Change the way you view the world. Enjoy outstanding detail, enjoy enhanced distinctness and enjoy Opteka. With an Opteka 5 piece Lens/Camera maintenance kit it contains everything you need to maintain your Digital Camera! It cleans hard to reach lenses, protects battery-operated contacts, and is very easy and safe to use. Works excellent for lenses, cameras, filters, and it also definitely cleans LCD panels. The lens cleaning solution is specially made for removing oil and rumour. The Opteka table top tripod is ideal for backyard observation or anywhere - an ultra-small tripod is all you need! Opteka lenses are covered by a lifetime agreement.

Canon GL1 MiniDV Digital Camcorder Review

Lowest Prices For This Merchandise: tinyurl.com Price: $3358.98